Showing posts with label History. Show all posts
Showing posts with label History. Show all posts

Tuesday, March 17, 2015

An Evacuation Day Letter

March 17, 1776

An open letter to General Howe:

It has come to our attention while observing your military maneuvers against our army in Boston that you may not fully understand your position. Thus we are writing to bring to your attention to two features of the situation.

First, you could continue your action of evacuating your forces from Boston and relocating to Nova Scotia. This would be a great strategic victory for General Washington, boost morale on the colonial side, and serve to increase their support among the rebellious population.

Second, with end of the recent unfavorable weather, your position is strengthened should you instead choose to attack. While we understand your wish to avoid another situation like the recent battle at Bunker Hill, we feel that we should point out that you did win that engagement.

What this means is that while an attack would no doubt be costly, you could achieve victory here, potentially nipping the revolution in the bud and eliminating the General Washington as an ongoing threat to your control of the colonies. The next commanding general would be in a weakened position and a future colonial army would be unlikely to challenge British rule.

We hope this letter enriches your knowledge of the strategic situation and promotes understanding and clarity as your suppression actions continue.

Sincerely,

The Tories 

Wednesday, May 22, 2013

Return My Love

Today we celebrate Richard Wagner's 200th birthday with his greatest work:




Ah, such genius.

While posting this I am, of course, wearing my most magical of helmets.

Thursday, May 9, 2013

Oh That Wacky Royal Navy

There is no navy in the world that is quite as colorful in its seagoing nomenclature as Great Britain's Royal Navy.  Here's a little trick that I have.  Whenever I'm feeling a little blue, I know that I can always cheer myself up by jumping on the interwebs and looking at lists of RN ships.  Just imagine being a sailor on the HMS Dido or Porcupine, the Inconstant, the Arrogant, or the Terrible.  Then you'd be lucky, because you won't have to explain your duties on the HMS Tickler, the Plumper, or even the HMS Redbreast.  A very popular silly ship name is, of course, the HMS Gay Viking.

My personal favorite, my pick for the most ridiculous Royal Navy ship name goes to this one:


Ladies and gentlemen, the HMS Cockchafer.  Where the call of "all hands on deck" always met a ready answer.

This is my challenge to you, dear reader.  Can you find a Royal Navy ship with a more ridiculous name than Cockchafer?  I think not, but I challenge you -- mostly because I'm feeling a bit under the weather and could use a laugh -- see if you can come up with a more ludicrous ship than Cockchafer.


Heart of oak are our ships, jolly tars are our men,
We always are ready; steady, boys, steady!
We'll fight and we'll conquer again and again.

Saturday, September 29, 2012

The Code of the Cowboy

Here's to singing cowboy superstar Gene Autry, who was born 105 years ago today.  Back in his day he was as big a star as ever shown in the west.  Today he's just the kind of hero that we wish we could root for. Gene was always the good guy, and he wrote this, the Code of the Cowboy.  Learn it.  Live it.

1. The Cowboy must never shoot first, hit a smaller man, or take unfair advantage.
2. He must never go back on his word, or a trust confided in him.
3. He must always tell the truth.
4. He must be gentle with children, the elderly, and animals.
5. He must not advocate or possess racially or religiously intolerant ideas.
6. He must help people in distress.
7. He must be a good worker.
8. He must keep himself clean in thought, speech, action, and personal habits.
9. He must respect women, parents, and his nation's laws.
10. The Cowboy is a patriot.
And to top it off, he stared in my all time favorite serial, The Phantom Empire.  Here's part one:

Wednesday, July 18, 2012

Glenn's Book of Quotes Number Twenty-Six

". . . a wise and frugal government which shall restrain men from injuring one another, which shall leave them otherwise free to regulate their own pursuits of industry and improvement, and shall not take from the mouth of labor the bread it has earned. This is the sum of good government . . ." -- Thomas Jefferson, first inaugural address

From the very beginning, Americans have had a healthy distrust of power.  If that power is concentrated in the hands of the few, and if those few are insulated from the people, that distrust turns to outright hostility.  In 1801 the biggest, scariest power in the land was the still somewhat new federal government.  The Constitution, which created that government, was only twelve years old.  The Bill of Rights, which tempered its power, was only ten.  Would this new government usurp the power that rightly belonged to the people, or would it be a faithful steward of the power granted to it by the people?  


When policy is being debated today I often think of this quote.  Will this new action by our powerful government leave us more or less free to regulate our own pursuits?  Will they restrict or enhance the blessings of liberty? And is this proposed public good quite good enough to justify taking the bread which the people have earned?  


I'm not providing the answers on any particular questions.  I just think that the questions are worth considering.

Friday, January 20, 2012

Put 'em Up, Put 'em Up


This is Harold "Honeyboy" Hughes.  He was a relative of mine, on my mother's side.  A K.O. sensation among the featherweights, I see.  Family lore has it that he was fairly well known in upstate New York and Vermont, where he plied his trade in the 1930s.  Years after his death a mention of his name in that area would often find an old fight fan that remembered him fondly.  I've heard that some of the people who knew him best didn't have overwhelmingly positive memories of old Honeyboy.  He looks like he was a tough little fighter and I sure wouldn't want to have had to square off against him.

This poster is obviously aimed at the trade more than the fans, which is kind of interesting.  I love the language of the thing.  I especially love the list of "his battles."  A lot of Kids, along with Mickey, Frankie, Charlie, Willie, Tiger, and Joe.  But my favorite name is right at the top.  K.O. Bunny.

What a great fighter name!  K.O. Bunny.  Can you picture what this guy would look like?  Maybe a buffed up Bugs wearing trunks and a mean look?  And who would want to get knocked out by a guy named K.O. Bunny?  I mean the K.O. part, sure, but the Bunny?  Who would admit to getting knocked out by a Bunny?

It's times like this I wish I could draw.  I'd love to come up with an image for K.O. Bunny.  Man.  And I wonder what the Honeyboy-Bunny fight was like.

One of these days I'll have to make up a story about that.  For now, you just need to know that Honeyboy Hughes is a fighter.  He is not an alibi artist.  And don't you forget it.


Saturday, November 5, 2011

They Called It Pope's Night

I like the way Boston celebrated the Fifth of November back in the 18th century. Rival gangs would make effigies of the pope, parade them around town, and beat the ever living crap out of each other. Fatalities were not uncommon. Then the group with the fewest injuries would set their pope ablaze. Ah, good times in the Athens of America.

Wednesday, December 15, 2010

The Aztecs Had It Right

It's a big consumer orgy, a celebration of life that is also a season of buying lots and lots of stuff. Sure, it's lots of fun (except for the people who work hard to make it happen for all the rest of you), but it is also exhausting and expensive. We do it every year, year after year, and we call it Christmas. And I say it is just too much. Buying ourselves into debt in December, then paying for it all year until the next December, is madness. Which is why I'm advocating a return to a simpler, more American time. I say we should look to Mesoamerica for our authentic traditions and embrace the ways of our Aztec forefathers. Now they knew how to have a consumer orgy/celebration of life.

First of all, they didn't do it annually. They did it only once every 52 years.

The Aztecs knew that the earth would eventually come to an end. Their religion taught that there had been four previous worlds and they had all died. They knew that this one would be destroyed by earthquakes. They knew that this destruction would happen at the end of one of their calendar's 52 year cycles. They just didn't know which cycle it would be. So once every 52 years they would would spend five days getting ready just in case history was ending. They'd get all their stuff, plates and pots and whatnots, break them, and throw them away. They'd clean up, make the house all spick-and-span, douse any fires they had burning, and then climb up on the roof to watch the end of the universe. It was like everybody going off to visit Milliways at the same time.

The priests were also looking to the skies, but they weren't just sight-seeing. They were looking for the Pleiades. When it reached its zenith and continued on they knew that the world had not come to an end and it was time to begin the New Fire ceremony.

First they had to light a fire. This was terribly important because if the fire was not lit the sun would not rise in the morning, having been destroyed forever. Since it was so important they naturally started the fire on some guy's chest. Everyone was pretty nervous as they did their best boy scout imitations, including the guy they were using as a hearth. Once the fire got going everyone would breathe a sigh of relief, then they'd take the fire off the guy and get it good and roaring. The fellow with the burned chest was then cut open and his heart would be removed and thrown into the fire. Let the party begin!



The fire would be carried to a temple in the capital city where it would be used to light specially made torches. Runners would then take the flame to all parts of the empire and it would eventually light every hearth in the land. Imagine the beauty and joy of the ceremony, the New Fire being carried into town, the warmth of the flames, the renewal of life and the connection of every home in country to one another and to the universe.

Then, of course, came the consumer orgy. Since everything had just been broken up and thrown away everybody would need to buy all new stuff. Happy New Fire! Here's a pot. Here's a new obsidian knife. Here's a floor mat. And we've got to pick up a whole new set of household idols.

There would be much rejoicing, especially among the makers and sellers of stuff. And I imagine that everyone was pretty thankful that this wonderful day usually only happened once or twice in a lifetime.

So I say, let's get back to the good old days, the old time religion of the Aztecs. Sure, it had some gruesome bits, but it still beats having to go through Christmas every year.

By the way, what's the Nahuatl word for humbug?

Friday, November 12, 2010

The Day it Rained Whale

Forty years ago today . . . this happened.



This may be the best news story ever broadcast. November 12, 1970, the Oregon Highway Division reasoned that the best way to move a dead whale would be to use dynamite. It went about as well as you might expect.

Saturday, November 6, 2010

Sherlock Holmes Versus Jack the Ripper!

By no means is Dust and Shadow the first time a Sherlock Holmes pastiche has pitted the great detective against Victorian London's most notorious villain, Jack the Ripper, but it is certainly the best I've read. First time novelist Lyndsay Faye did a wonderful job of writing in the spirit of Arthur Conan Doyle while cranking up the pace for the jaded modern reader.

I am by no means a ripperologist (a rather grim historical specialty), nor would I qualify as a Sherlockian, but I have some familiarity with the crimes and I have read the canonical stories a few times. I'd say that Faye folded Holmes into the Whitechapel case seamlessly, using the proper Watsonian narrative style. And I loved every minute of it.

Which really is something of an accomplishment. We know that when Holmes is trying to prevent the next murder he is doomed to failure, because we know the history. The next crime will take place because it did take place. Yet we are carried along with the adventure, wondering what twist will be put on the facts, what insights Holmes will have into the identity of Jack.

Faye gives us the Watson and Holmes that we know and love. If I have any quibble it is that Holmes seems to show a good deal of sympathy toward the story's principal female character, which is a role usually assigned to Watson; but then she was an impressive woman. The characters, familiar (Lestrade is particularly well drawn) and unfamiliar, are engaging. The setting, often a very important part in these stories, is vivid. The crimes themselves are gruesomely fascinating. Enough of the details are revealed to horrify, but not enough to sicken.

One of the things that makes Jack the Ripper such a good subject for fiction is the fact that the murders will forever remain a mystery. It frees writers to come up with any solution they wish. The solution here works and the ending is satisfying. This is a Guaranteed Good Read for anyone who likes a mystery, especially a Sherlock Holmes mystery.

Tuesday, November 2, 2010

For the Children

You've probably heard that phrase before. We have to do this, “for the children.” We must ban that, “for the children.” Those who would censor, restrict, or regulate always say it is “for the children.” When my state attorney general, Martha Coakley, helped draft a law to regulate naughtiness on the internet, it was “for the children.” Never mind that it was an unconstitutional infringement of the
First Amendment (a federal judge recently said so when she struck it down). When Tipper Gore got warning labels on CDs, it was “for the children.” When Joe Leiberman tried to regulate computer games, it was “for the children.” Smashing rock 'n roll records, banning pinball, burning Harry Potter books, it's all “for the children.” As Robert Heinlein wrote in “The Man Who Sold the Moon,” “The whole principle is wrong. It's like demanding that grown men live on skim milk because the baby can't have steak.”

One of the earliest moral panic episodes of the past century was the “great comic-book scare.” In his excellent book on the subject, The Ten-Cent Plague, David Hajdu gives us a history of comics in the 1950s, the men and women who made them, and the panicked, duped, self-serving, or just downright venal people who destroyed the industry.

Mr. Hajdu writes a good history of comics, delving into the lives and personalities of their creators as well as their social milieu. At first I thought this might be off of the main point of the book, the censorship of comics. Often in pop-culture histories the writer will take extended sidetracks into parts of the story that are fun to read and write about. While I enjoyed these section of the book I had, in my mind, judged them to be a minor flaw in the narrative structure. But I was wrong. By laying down a solid (and very interesting, especially for a comic book fan like me) foundation describing the writers, artists, publishers, and their work, it put many of the arguments of the anti-comics forces into a context that demonstrated the wrongness of their position.

Some may be surprised to read about what a big issue this was at the time. Public comic book burnings were held all over the country. Local censorship boards sprung up across the map. Congressional hearings on the subject were broadcast on live television. Major newspapers like the Hartford Courant wrote editorials calling for an end to the comics menace. Fredric Wertham's infamous comic-bashing book The Seduction of the Innocent was a bestseller. Publishers and newsstand owners were threatened with prosecution, years before the CBLDF was even imagined. It is a remarkable story.

I'd call this a must-read for any real comics fan and a good read for anyone interested in American history, pop-culture, art, or witch trials.

Wednesday, July 14, 2010

Happy Trails

There is something sad about the upcoming auction of Roy Rogers' stuff at Christie's. It seems to mark the final passing of a particular type of Americana, the singing cowboy. Seeing old Trigger, Buttermilk, and Bullet on the auction block is just plain wrong. They should be in the Smithsonian.


Action!  Thrills!  Adventure!  Romance!  Singing!  What's not to love?

Roy and Gene Autry and Tex Ritter and a whole bunkhouse full of minor players rode off into the sunset a long time ago. The place they made in American pop-cultural history should be remembered and honored. I'm glad that Roy's old group, the Sons of the Pioneers, still performs regularly, as do such fun western swing acts as Riders in the Sky. It's nostalgia, it's hokey, it's cornball, but I'm mighty glad that someone is keeping those campfire embers glowing.

Saturday, June 5, 2010

Sea Cats

Happy Caturday! Here's a lovely collection of pictures showing cats in the sea services, including this one of little Miss Hap being nursed by a Marine. Tip o' the hat to Folderol for the link.

Friday, June 4, 2010

Hooray For Yiddish!

It's kind of a pointless exercise, writing about a book that is out of print. It's not like you, gentle reader, can rush out to your nearest Border & Noble-a-Million DotCom and pick it up. But perhaps someone in the wide, wide world of publishing will hear about this and decide that this is just the right time to re-release a wonderful book with limited commercial appeal. Yes, perhaps that will happen.

Many, many years ago I read Leo Rosten's wonderful The Joys of Yiddish. Many years after that my best beloved, trolling the bargain book tables as she is wont to do, found the sequel, Hooray For Yiddish! She brought it home and said “Look, you'll want to read this!” I agreed, and we put it in the stacks for later reading. And, since there are thousands of books in our tiny apartment, and since we are terribly disorganized people, I lost track of it.

Flash forward a few years to last month. I stumbled across it next to a DVD with a Star Trek cartoon on it (I told you we were disorganized). And that brings us here.

The subtitle of Hooray for Yiddish! is “A Book About English.” And so it is. This is a lexicon of words in English, Yiddish, and “Yinglish.” The English words and phrases are those that have been influenced by Yiddish. These include “crazy-doctor,” “so sue me,” and “live a little.” The Yiddish ones are words from that language that have entered our language or that Rosten thinks should enter our language. These include “mentsh,” “shlock,” and “shlemiel.” Yinglish words are, of course, those that straddle the line, like “ipsy-pipsy.”

If you think that sitting down with a lexicon would be at all boring, you obviously don't know Leo Rosten. Rosten was a terrific writer, wit, and raconteur. His writing is wise, learned, and hilarious. Almost every entry is illustrated by a joke. It doesn't matter that some of the jokes are, shall we say, classic. The truly good ones are always worth retelling.

Here for example is how he explains the use of the word “kibitzer,” meaning one who comments from the sidelines, offers unasked-for advice, or wisecracks:
The sign on the doctors' office read:
DR. ROBERT LEWIN, Brain Surgery.
DR. J.O. BANKMAN, Psychiatry.
DR. CHARLES GOLUB, Proctology.
Under this imposing troika, a kibitzer scrawled:
We specialize in
Odds and Ends.
And here is how he illustrates the word “mazel,” meaning luck:
In the powder room of the Ritz Hotel in London, bejeweled dowagers, attending a great charity ball, fluttered about the mirrors. Several noticed an enormous diamond on the pink and ample bosom of Lady Gwendolyn de Plotnick. “I may say,” said Lady de Plotnick, “that this is the third-largest diamond ever known. The largest was the Cullinan diamond; the second largest, the Kohinoor; and the third is—the Plotnick.”
“Gracious!”
“My!”
“How fortunate you are!” cooed the ladies.
“We-ell, not all that meets the eye is fortunate,” said the admired one. “As my ancestors often said, 'Nothing is all mazel.' So it is with this diamond. Alas, whoever wears the Plotnick diamond inherits the Plotnick Curse.”
“Oh.”
“What's the Plotnick Curse?”
Sigh. “Plotnick.”
As I read this book my amazement at the influence this language, spoken by a tiny minority of Americans, continued to grow. I hear Yidishisms and Yiddish influenced English all the time, often spoken by people who have no idea of the origin of their words or why they phrase things the way they do. It is a tribute to the genius of America, the strength of the English language, and the incredible dynamism of the Jewish people. America, the melting pot, continually refreshes itself with new peoples, cultures, and ideas. We took in these huddled masses from eastern Europe and they gave us the gifts of their language and culture. The world has never been the same.

The marriage of English and Yiddish is surely a match made in heaven. Both are magpie languages. Yiddish is a thousand years old. It is Germanic at its base, written with the Hebrew alphabet, with bits of eastern European, Slavic, Romance, and other languages mixed in. It took a bit from here and a bit from there and became its own beautiful thing. English is an aggressive borrower. As James Nicoll famously said, “English has pursued other languages down alleyways to beat them unconscious and rifle through their pockets for new vocabulary.” It gladly lends and even more happily takes any word, phrase, or grammatical construction that might be useful, euphonious, or just fun to say.

While the combination was perfect, the growth of Yinglish still seems amazing. It's influence on our language is entirely out of proportion to the relatively small group of people who spoke the language. Today fewer than 200,000 Americans can converse in Yiddish. And yet it is a big part of our language. Why? Because of the people who spoke it. The culture of these Ashkenazim was shot through with a love of learning, language, and literature. They were a people who had suffered much and were determined to survive and prosper. They were brave, brash, witty, talented, and funny.

I think funny is the key here. In vaudeville, radio, musical theater, stand-up comedy, movies, and TV, Jewish people have had a tremendous influence. Just look around: Milton Berle, Jack Benny, George Burns, Lenny Bruce, Jerry Seinfeld, Woody Allen, Mel Brooks, Morey Amsterdam, the Marx Brothers, Phil Silvers, Henny Youngman, the Three Stooges, Jon Stewart, Lewis Black, Billy Crystal, Soupy Sales, Jerry Stiller, Neil Simon, Carl Reiner, Allan Sherman, Zero Mostel, Buddy Hackett, Carol Kane, and Krusty the Clown. Try to imagine American humor without them. Impossible. The very idea is meshugge.

If Italian is the language of music and French is the language of love, Yiddish is surely the language of funny. Shmendrick, shmo, shlemazl, they're just fun to say. Shmeer, shpilkes, shmuck, useful words to be sure, but also a joy to hear.

Rosten's enjoyment of and enthusiasm for his mama-loshn, his mother tongue, is infectious. This is certainly the best lexicon I've read this year. Good luck trying to find your own copy. Mazel tov

Thursday, May 27, 2010

Hidden History – Unit 731

Between 1932 and 1945 Japan killed somewhere between 300,000 and 500,000 civilians in a series of biological weapons attacks. To put that in perspective, it is about twice the number that died as a result of the bombing of Hiroshima and Nagasaki. It was the most deadly use of weapons of mass destruction in history and one of the worst crimes against humanity ever recorded. Most people have never heard of it.

It was orchestrated by a group called Unit 731. Unit 731 performed some of the most horrific experiments imaginable. Thousands of civilians and POWs were victimized. People were tied down, infected, and observed until they finally died. People were chopped up just to see how long it would take them to bleed out. Vivisection was commonplace. While the name Joseph Mengele has become a byword for evil, 731's leader, Shiro Ishii, is almost completely unknown.

This article from City Journal is a good introduction to this hidden history. Here's what 731 did when they wanted to learn how the diseases they had produced would spread:

The Japanese laced more than 1,000 wells in the area of Harbin with typhoid bacilli. They also inserted typhus into bottles of lemonade that children loved to drink in the summer, Harris reported. In Nanking, they distributed anthrax-filled chocolate and cake to hungry children. The Japanese discovered that packing fountain pens and walking sticks with deadly germs was a particularly effective way of secretly disseminating them.

Later the Japanese experimented with ways they could deliver germ warfare through aerial assault. They developed various bombs. At their most cartoon-like evil they even worked to infect fleas, put the fleas on bats, and drop them out of airplanes over target populations.

Why did they do it? Why kill hundreds of thousands of innocent people? Because they wanted to learn the best way to use biological weapons against the U.S. and Russia. They eventually developed a plan: Operation Cherry Blossoms at Night. Kamikaze planes were to be loaded with anthrax and attack California. It was scheduled for September, 1945. Hiroshima was bombed in August.

Two questions might occur to you about now gentle reader. First, what happened to these monsters after the war? Second, why have more people not heard of this? The City Journal article cited above answers both questions. Nothing happened to those monsters, and the reason for that is the same as the answer to the second question. Because the U.S. wanted to learn the secrets of Unit 731. The most evil research program in history became a bargaining chip in the Cold War.

I think it's time that we add this chapter to our textbooks. The lessons of this history are too important, too powerful, and sadly too relevant to our own time to be lost.

Wednesday, May 26, 2010

Trivial Hoot Eleven

My goodness, it's been a couple of months since I posed a puzzler to my brilliant readers. This time I will challenge your smarts in the field of history. As always the first person to get it right will receive a big hoot and will join our roll of honor as a steely-eyed missile man or woman.

Edward V and Edward VIII have a few things in common. First of all, they were both named Edward. Second, they were both English kings. Third, they are both dead guys. But they also share another distinction. They are the only English kings that we can say this about. What is this unique shared quality?

Sunday, May 23, 2010

Ineffable

I just read Karen Armstrong's A History of God and it is going right onto my to-be-re-read pile. I knew it would be going there when I was only about a third of the way through the book. I was standing in a crowded subway car reading. At the stop before mine a woman who had been sitting across from me got up to leave, saying “that's a great book.” I agreed, telling her that it had got me thinking in new ways about the history of religion. She said that she wanted to read it again. I told her that I thought I would too.

A History of God is not, in fact, a history of God. Nor is it a history of religion, per se, but a history of the concept of God as considered by the three major Abrahamic religions, Judaism, Christianity, and Islam. Armstrong begins at the beginning, in the years before the concept of the one God took hold. Our species has always worshiped and wondered about the spiritual matters, the world beyond our senses and the mysteries of existence. It is a defining characteristic of mankind. Built into our DNA, we are creatures that seek God.

All three faiths see Abraham as the progenitor. It was he who began to worship one God. As an old man he heard the voice of God and began to follow him and him alone. Who was this one God? The Bible tells us that Abraham did not know the sacred name of the Lord. He called him “El Shaddai.” Here Armstrong asks a question. Was El Shaddai, the God of Abraham, the same God as the one worshiped by Moses and his followers in the desert? She tells us that scholars think that El Shaddai was a local Canaanite deity.

What was so unusual about worshiping one of the many local deities? Nothing, really. What was unusual was the exclusive covenant Abraham made. He worshiped his God and his God alone. Even more radical, when he moved he and his family continued to worship his God. He refused to pay fealty to the local gods. This was the great difference, this idea that God could more universal, greater than the small regional gods all around them.

By the time of Moses God had become something wholly other. While Abraham's grandson Jacob could have a literal wrestling match with God, such a concept would have been blasphemous to the Israelites who followed Moses. God had developed into a being of such unimaginable power and majesty that He could not even be contemplated in mere human form. He would appear as flame or smoke. To look upon him was more than a man could bear. Moses, who spent time with Him, was physically changed. His face glowed with such light that he had to wear a veil so as not to cause injury to those who encountered him.

What happened to the relatively simple deity of Abraham? Had he evolved? Did he change? Of course not. But as man changes, grows, and becomes more capable, his concept of the divine changes. Armstrong traces a history of these changes, comparing and contrasting the different strains of faith and understanding in its three major expressions. It's a fascinating journey.

Recently the book has been criticized by scholar Stephen Prothero who says that Armstrong stretches to find commonalities that don't exist and ignores significant differences. This strikes me as being deliberately obtuse. Armstrong is careful to point out differences, explaining that core dogma of each faith can be seen as being blasphemous to the others. She also points out the significant splits within those faiths as different groups of people at different times followed their own path toward understanding. What is remarkably similar is the experience, as articulated by some adherents to each religion, of the ultimate, of the feeling of the divine and the sense of the numinous. Those who have have followed the paths of their faith or who have broken new ground within that faith will describe a deep, profound experience that transcends dogma. She writes that it “seems that when human beings contemplate the absolute, they have very similar ideas and experiences. The sense of presence, ecstasy, and dread in the presence of a reality—called nirvana, the ONE, Brahman or God—seems to be a state of mind and a perception that are naturally and endlessly sought by human beings.”

The faiths evolve as man grows. Some adherents follow a path of reason, others of dogma, and some of mysticism. All seem to have their place and all have enriched the history. But Armstrong is not an uncritical observer. She uses the example of St. Bernard's persecution of Abelard to demonstrate what religion can become when dogma rejects reason. She writes of the differences between the mystical, imaginative approach and the path of pure reason.

In the end I see the greatest wisdom in accepting the imaginative power of mysticism while employing reason and engaging in the centuries long conversation that is tradition.

The concept of the divine changes and grows as man himself changes and grows. Now we are in a new age, an age different from all others in history. Today, belief in God is a matter of personal choice. Faith is no longer an societal given. Each generation must create its own imaginative concept of God. God is a subjective experience; he cannot be described by a formula that is universal for all. Our concept of Him is transformed by our own personal religious experience. I wonder what the next generation's expression of the divine will say about Him. And us.

Tuesday, April 27, 2010

Civil War

It rested there, taunting me. Looking down at me, mocking my ignorance, intimidating me with its heft and reputation. I'd sit down on the couch with some silly little book, a bit of literary fluff, and there it would be, too proud even to smirk. Shelby Foote's The Civil War, a Narrative. Three volumes of it. Almost 3,000 pages. Big, heavy books. This wasn't a quick read, this was a commitment.

I'm not a complete idiot. I knew something of that war. I knew when it was fought, where (generally), why (mostly), and how (a little). I knew something about the major players. I'd read this and that. I've watched the Ken Burns documentary. But even as I watched and listened to Foote himself fill in a detail here and add an impression there, I knew I wasn't getting it. I knew there was so much more to understand than could possibly be covered in a few hours of TV and a patchwork education. What I needed was a complete picture, an overview of the war from start to finish.

There it was, as I said. My Best Beloved's thrice-read copies (yeah, she's like that – turbo history buff). As I've written before (somewhere I'm sure), one of the reason I read is to reduce my huge store of ignorance. It seems I have a never ending supply of the stuff. So I picked up the first volume, determined to plow right through to the end.

I couldn't do it, actually. As good as it was, and it was very good, I needed to take a break from war from time to time, so between volumes I took little excursions. I read about religion, romance, and the British. And then I went back to the war.

One thing I knew. The Civil War was the most transformative event in our country's history. The big, obvious things were settled; whether or not we would be a house divided, whether or not we would be a nation of freedom or slavery. It also changed the very definition of our country, the very way that we saw our nation. It changed the United States from a plural to a singular. Before 1861 most people would say “The United States are . . .” From 1865 on we say “The United States is . . .” In trying to split us apart the south inadvertently stitched us together tighter than before. As Foote points out in his third volume, once these Americans who previously had never been but a few miles from where they were born walked, fought, bled, died, suffered, and grieved all over their country it became something it had never really been before. Their country. E pluribus unum indeed.

But I'm getting ahead of myself. I started reading Foote because I wanted to get a good overview of the whole war. I got that. But I also learned how really huge this topic is. Even Foote couldn't capture it all. He missed bits and pieces. One of my favorite people, Joshua Lawrence Chamberlain of Maine, is only briefly mentioned. The horror of Andersonville isn't covered except to say that the war crimes trial of it's commander was unfair. And the more I read the more I realized that no matter how big, no matter how many volumes, no one writer can ever describe the whole of the war. It is just too huge a story.

So Foote's Civil War isn't the place to end your studies. It is the place to begin. It is, as the title says, a narrative history. For all its heft it isn't a dry, scholarly tome. It is a story. A huge, amazing, fascinating, complex, and vitally important story, and Mr Foote took it upon himself the daunting task of telling it. He tells it very well. He was not, when he began this project, an historian. He was a novelist. He approached his history in that way, with a novelist's sense of character, place, plot, pacing, and story. The reader gets a strong sense of the people, mostly of the leaders but peppered with insight into the lives of lower ranking soldiers. The horror of some of the individual battles is shown clearly. Foote's language is poetic when there is call to be poetic, stark when that is called for, and always insightful and informative.


I saw for the first time how battles in far-flung theaters of war affected feelings and strategy across the country. I've always been more aware of the fighting in the east, such as in Gettysburg and Georgia, but now I see the importance of the whole war, including riverboats on the Mississippi, the blunders on the Red River, and fighting ships off the coast of France.

Unlike some readers I tend to view this as a battle of good versus evil. For the north it was a war to make sure that a “government conceived in liberty and dedicated to the proposition that all men are created equal” should “not perish from the earth.” For the south it was about preserving a way of life predicated on the right of some people to own other people. While reading I would cheer northern victories and was saddened by their losses. As a good historian Foote took a more evenhanded approach, not going out of his way to condemn but not shying from making moral judgments when they were called for. I was unaware of but unsurprised by the savagery with which Confederate soldiers dealt with black men wearing blue uniforms. I was also unaware of and was surprised by the heartless way U.S. Grant treated his own wounded men, letting them suffer and die on the field rather than allowing a ceasefire to rescue them.

Insights into the leaders of the war is one of the special gifts of these books. The strengths and flaws of Jefferson Davis, contrasted with those of Abraham Lincoln, the single-mindedness of Grant, the manias of Stonewall Jackson, the remarkable and occasionally brutal leadership of Nathan Bedford Forrest, and the tremendous energy and loyalty of Sherman are some of the profiles Foote presents. I don't think anyone will ever understand the incredibly deep and complex mind of Lincoln, but I have come a step closer after reading this.

And I've come a step closer to reducing my store of Civil War ignorance. Unfortunately (or fortunately, since I rather enjoy learning things), I've discovered that even with this huge overview stuffed into my head, my supply of ignorance is greater than I had imagined.

Friday, April 9, 2010

Surrender

One hundred and forty five years ago today Robert E. Lee surrendered his army to U.S. Grant at a place called Appomattox Court House. Lee, as you may know, was the military leader of a rebellion against the United States. He believed that people of European descent should be permitted to own people of African descent and do with them as they would. He himself owned some people. There is evidence that he once had some of his people whipped and brined. When the war began he was in the army. He had a choice. He could remember his oath to “bear true allegiance to the United States of America, and to serve them honestly and faithfully, against all their enemies or opposers whatsoever, and to observe and obey the orders of the President of the United States of America, and the orders of the officers appointed over me,” or he could abjure this oath and commit treason. He chose the latter course. He used his considerable skills to great advantage for the rebellion. Usually outnumbered, outgunned, and under-supplied, his brilliant leadership earned him the nickname “Mars' Robert,” and considerably lengthened a war which eventually took approximately 625,000 American lives.

Contrary to some expectations, he was not imprisoned for his role in the rebellion. He later served as president of a university that was eventually renamed in his honor. Today many Americans hold him in high regard as a great leader and moral exemplar.

Others remember him as a slaver, a traitor, and a man willing to kill thousands of people for one of the worst causes imaginable.

Thursday, March 25, 2010

Answer Ten – The Bishop

Not too long ago (I hope) I threw down the trivial gauntlet for the tenth time and asked if anyone could identify a pictured historical figure. Nobody got it. Perhaps I should have given you a hint. Here's one: the photograph was made by Mathew Brady. Any help?

Okay, enough waiting. The man in the picture was the Episcopal bishop of New Orleans. The bishop's more famous side job was general. He is Leonidas Polk, better known as Lieutenant General Leonidas Polk of the Confederate States Army.


With a name like Leonidas it seems foreordained (oh I do love a bad pun) that he'd end up a soldier. It may not have been the best career move. During the Battle of Atlanta he was pretty much cut in two by a shell. Do all bishops go to heaven?

So now you know, and knowing is half the battle.